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Aunty Agnes Shea High School acknowledges historical connections to Country while providing a framework for future generations to engage with First Nations knowledge and traditions.
In Western Sydney, Hassell’s First Building for Bradfield City Centre aims to be regenerative, adaptable and connected to First Nations culture.
Yerrabingin CEO Christian Hampson on how the concept is maturing and the overlap with fundamental design principles, as well as some pitfalls to avoid.
A vacant plot in the heart of Wolli Creek in Bayside in South Sydney has been transformed by CONTEXT into a vibrant community park.
In this comment piece, Buchan’s Dong Uong discusses the why and how behind the stories underpinning design projects.
Expanding on his published collection of essays, Richard Francis-Jones curated a stimulating discussion about what elicits an architectural response.
In this comment piece, Indigenous Creative Lead at Balarinji, Johnny Bridges, discusses designing with Country and the environment.
The Regional Architecture Association (RAA) is set to host a three-day event focusing on regional architecture and its impact on the perception of place.
Current is an exhibition presented by the Australian Design Centre that examines the interplay between land, water and ancestral memory as seen through the works of the respective artists.
During Melbourne Design Week, Riverlee highlighted its collaboration with Wurundjeri Elders to integrate traditional knowledge into the New Epping masterplan.
Dreamtime Flooring, a 100 per cent Indigenous-owned business, has partnered with renowned carpet manufacturer Godfrey Hirst to launch the Here Before Collection.
Set in Canberra and led by Hassell, Edition Office, COLA Studio and Djinjama, the winning design concept is the National Indigenous Knowledge and Cultural Centre.
